“Perceptibility is a kind of attentiveness.”
Receptivity or receptiveness… being or becoming receptive. How is that done?
The camera opens its shutter and lets in light. In order to be receptive to the world it is surely better to be quiet, attentive… to listen. But how do we open not only our eyes and ears, but also our minds?
The ‘negative capability’ which Keats meant the artist’s receptiveness to the world and its natural phenomena, as opposed to a continual striving to formulate theories or categorical knowledge.
“I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason…”
Eugene Atget’s photos are always worth reconsidering. Reading Gerry Badger’s essays have inspired me not only to look again Atget but also has led me to reconsider my photographic habits.
Recently I have been using Instagram on my phone to re-think aesthetic issues and to reconsider where I want to go with my photography. This photo was taken in a quiet corner away from the main streets of Leeds (not far from my bank).
Badger’s notion of “the quiet photograph” excludes any over-obvious compositional ploys. But photographing even the most easily-overlooked corner it is easy to incorporate the what is lent to composition by the architecture and lay-out of space.
So what is the role between composition (which is for most photographers pretty much a matter of habit) and “the quiet photograph”?
Atget’s photographs are so interesting in their own right. They seem imbued with a deeper, more enigmatic silence, than the notion of “still” photography implies. Perhaps I will use the index to Badger’s book to look at the various mentions of Atget and then come back, in a later post, to consider whether Atget’s images serve as a template for “quiet photography”.